| MAURITIUS- a play by Theresa Rebeck |
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MAURITIUS- a play by Theresa Rebeck
Description: |
“Mauritius” is a terrific potboiling comedy-thriller which explores family tensions, greed, betrayal and personal integrity.
The stakes are high when half-sisters (played by Clara Dunham and Jill Gottlieb) inherit a book of rare stamps that may include the “crown jewel” of the stamp-collecting world. The battle for possession takes a dangerous turn when three rival collectors (played by Jim Newell, Tim Johnson and Tom King) enter the sisters’ world willing to go to any lengths to stake their claim on the find.
Opening performance Friday AUG 21st - 8 pm - $200 pesos. All other performances are $150 pesos with recession buster front row tickets for $100 pesos. Runs Friday AUG 21st - through Sunday AUG 30th (with the exception of Wednesday AUG 26th...sorry we're dark that night! Sunday matinees at 5 pm - all other performances are 8 o'clock curtain! |
General details: |
| Location Address |
Teatro Santa Ana
Biblioteca
Reloj 50A |
| Website |
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| Placed by: |
PLAYERS WORKSHOP
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| Ad id: |
448 |
| Ad views: |
1908 |
| Ad expires: |
15.09.2009 (in -877 days) |
| Added: |
16.08.2009 |
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San Miguel de Allende -- Today is Friday, February 10, 2012 02:43 at our loyal server in the USAI thought I would write a follow-up to my column, “Move Over San Miguel
de Allende Here I Come”, since this is the only thing, writing, that prevents
from committing murderous acts of rage (Just Joking!) As you recall from the
previous column, I wrote how I tried to deposit a royalty check from my publisher
and was told the check would clear on four different dates. We were shown, last
week, on their computer screen that the funds would be available on the 18th
of December.
Well, today is the 18th. We marched down to the bank and, of course, in the
truest sense of TMO (Typical Mexican Operation) the funds were not available.
We went into the bank so I could seize a bank officer and choke him (just kidding!).
No, we talked to this guy who thought it cute to mumble at us. He actually told
us something entirely new.
He said that “the 18th” did not really mean “the 18th” but
it meant sometime after 6 p.m. on the 18th but before mid-night on the 18th and…and…maybe
even the 19th.
CAN YOU BELIEVE THIS?
This my dear readers is what we anal-retentive Americans (and “strung-tighter-than-piano
wire Germans”) have to deal with when we become expatriates living in Mexico.
It would seem, and I could be wrong, that Mexican banks just make up stuff as
they go along. There are no policy manuals, procedural steps, no rules, just
the “fly-by-the-seat-of-your-pants” way of doing things.
“Qué Será, Será: What ever will be, will be. The
future’s not ours to see. Qué Será, Será.”
This is exactly how things are done in central México. I have to tell
you though, those from other regions of the country are as dumbfounded as I am.
They tell me that this region of Mexico is “stuck in time and history.” They
are provincial to the point of having been throw into a time loop and cannot
escape the temporal hole they’ve been in since the middle ages. Time forgot
central Mexico and no one seems to really care to crawl out of this dimensional
morass in which they are quagmired.
What are we going to do?
I do not know. But, we are looking to other areas of Mexico that may not be
like living in a Latino Twilight Zone.
My fellow American expat said this:
“That what Mexico needs is a Business Manager. These people need a Business
Manager in everything that has to do with anything to show them how things work.
This is because in all aspects of life, at least in Guanajuato, no one who does
anything that has to do with something knows just how it is suppose to work.”
She has no idea what truth she spoke!
by Douglas Bower
Article Source: EzineArticles.com |
Major Regulatory Agencies for the State of Guanajuato with names of Officials
where indicated |
| Descripción |
| Presidencia
Municipal de San Miguel de Allende
José Jesús Correa Ramírez |
Contraloria
Municipal
José Antonio López Ortíz
|
Desarrollo
Integral de la Familia ( DIF ) Municipal
Gabriela Bribiesca Rocha
|
Dirección
de Desarrollo Social y Humano
José Luis Téllez Santana
|
Subdirección
de Desarrollo Rural y Agropecuario
Juan Rodríguez Vázquez
|
Subdirección
de Desarrollo Social y Humano
Mario Carballo Carlva
|
Dirección
de Desarrollo Urbano y Ordenamiento Territorial
Angel Gastelum Cadena
|
Coordinación
de Administración Urbana y Regulación de Usos de Suelo
Francisco Javier Villegas Sánchez
|
Ventanilla
de Licencias y Permisos de Construcción
Alberto Cervantes Matehuala
|
Coordinación
de Conservación del Patrimonio Histórico y Cultural
desconocido o ya no ocupado
|
Auxiliar
Centro Histórico
Julio César Grimaldi Zuñiga
|
Coordinación
de Planeación Estratégica y Ordenamiento Territorial
Jesús Téllez Molina
|
Coordinación
Técnica
Zeferino Gutiérrez Grimaldi
|
Estudios
y Proyectos de Equipamiento Imagen e Infraestructura
Jesús Tellez Molina
|
Coordinación
de Regulación de Asentamientos Humanos Irregulares, Ejidales Predios Agricolas
y Ganade
Javier Rángel Arellano
|
Auxiliar
de Asentamientos Humanos
Juan Manuel Ramírez Regoytia
|
Subdirección
de Desarrollo Urbano
Francisco Javier Villegas Sánchez
|
Dirección
de Educación y Cultura
Verónica Agundis Estrada
|
Casa de la
Cultura
Myrna Verónica Salinas Guerrero
|
Departamento
de Educación
Jesús Ledesma Hernández
|
Dirección
de Medio Ambiente y Ecología
Donald Wayne Patterson
|
Coordinación
de Gestión Ambiental
Erick Morales Montes
|
Administrator
de Panteones
desconocido o ya no ocupado
|
Encargado
de Parques y Panteones
desconocido o ya no ocupado
|
Coordinación
de la Prevención y Control de la Contaminación
Ana Karina Yael Villa Ayala
|
Coordinación
de Normativa Ambiental
Blas Huerta Carrillo
|
Encargado
de Promoción Ambiental
desconocido o ya no ocupado
|
Encargado
de la Estación de Transferencia
desconocido o ya no ocupado
|
Dirección
de Obras Públicas Municipales
Jorge Zavala Ramírez
|
Coordinación
de Maquinaria Pesada
Jorge Montes González
|
Coordinador
Administrativo A
José Martín Rico
|
Subdirección
de Obras Públicas Municipales
Francisco Peralta Elizondo
|
Coodinación
de Construcción y Supervición
desconocido o ya no ocupado
|
Jefe de Brigada
Topografíca
desconocido o ya no ocupado
|
Jefe de Precios
Unitarios
desconocido o ya no ocupado
|
Coordinación
Administrativa
desconocido o ya no ocupado
|
Jefe de Expedientes
Técnicos
desconocido o ya no ocupado
|
Jefe de Solventación
de Observaciones
desconocido o ya no ocupado
|
Coordinación
de Maquinaría Pesada
desconocido o ya no ocupado
|
Subdirección
Operativa
Jorge Flores
|
Dirección
de Seguridad Pública Municipal
Daniel Adrián Trujillo García
|
Subdirección
Academica
Hugo Fabián Barrón Martínez
|
Subdirección
Administrativa
Juan Carlos Godínez Arzola
|
Subdirección
Operativa
José Luís Olguín Gómez
|
Dirección
de Servicios Públicos Municipales
Luis Francisco López Chávez
|
Administración
del Restro Municipal
Eduardo Manuel Villegas Juárez
|
Alumbrado
Público
Luís Felipe Luna Morales
|
Departamento
de Limpia
José Gilberto M. González Valero
|
Mercados
y Comercio
Ángel Martín Saavedra
|
Subdirección
de Servicios Públicos Municipales
desconocido o ya no ocupado
|
Administración
del Rastro Municipal
desconocido o ya no ocupado
|
Alumbrado
Público
Emisael Espinosa
|
Jefatura
de Limpia
desconocido o ya no ocupado
|
Mercados
y Comercio
desconocido o ya no ocupado
|
Dirección
de Transito y Transporte Municipal
José Samuel Daniel Mercadillo Escobedo
|
Comandante
Administrativo
Roberto Prado Baeza
|
Comandante
Operativo
José Luís García Osornio
|
Jefe de Transporte
Municipal
Jorge Salas Luna
|
Juridico
de Transito y Transporte
Juan Víctor Manuel González Bautista
|
Dirección
de Turismo, Fomento Económico y Relaciones Internacionales
Francisco Peyret García
|
Atención
a Inversionistas y Mejora Regulatoria
Oscar Baltazar Arteaga Gil
|
Coordinación
de Promoción de Inversiones y Gobierno Integral
Julián Roberto Villela Ríos
|
Coordinación
de Relaciones Internacionales
Fabiola García Lasierna
|
Enlace de
Empleo y Capacitación
Ma. Auxilio Ángeles Olalde
|
Enlace Institucional
y Promoción Productiva
Tanía Noriz Martínez
|
Instituto
Municipal de la Mujer
Araceli Martínez Sánchez
|
Oficialia
Mayor Administrativa
José Alfredo Orduña Rodríguez
|
Departamento
de Informática
Leopoldo Barcenas Hernández
|
Pensión Municipal
Jorge Armando Ramírez Capitán
|
Recursos
Humanos
Cirila Margaíz Ramírez
|
Recursos
Materiales
Laura Valadez Sánchez
|
Protección
Civil
José Alan Álvarez Flores
|
Coordinación
Municipal de Desastres
Ramiro Arroyo Guerrero
|
Secretaría
del H. Ayuntamiento
Christopher Thomas Finkelstein Franyuti
|
Departamento
de Fiscalización y Control Municipal
Rafael Torres Sánchez
|
Departamento
de Jurídico
José Ramón Correa González
|
Secretaría
Particular
Tomas Federico Ramírez
|
Sistema de
Agua Potable y Alcantarillado de San Miguel de Allende
Alfonso Sautto
|
Tesorería
Municipal
José Eduardo Adrián Soria Cruz
|
Departamento
de Catastro
Gustavo Arellano Arroyo
|
Departamento
de Egresos
Mónica Barajas
|
Departamento
de Ingresos
Jorge López Páez
|
Departamento
de Predial
Saúl Bautista Espinosa
|
Programas
Especiales
José Luis Pérez Arredondo
|
| The following excerpt is by the legendary Stirling Dickinson, who is probably the most important Gringo to ever make an impact on the development of San Miguel de Allende. From Brandeburgh Press, November 1969.
In 1542, the missionary Fray Juan de San Miguel established a tiny settlement known as San Miguel Viejo. It was a frontier outpost constantly threatened by hostile Indians. Spanish soldiers and families of Spanish settlers came and the new hamlet was moved to the slope of Moctezuma Hill where fresh springs provided water. Soon, a royal charter was created for the town known as San Miguel El Grande. For more than two and one half centuries, San Miguel thrived under the repressive but orderly rule of Spain, as it was a link on the silver route to Mexico City. In 1810 revolution flared, led by Captain Ignacio Allende of San Miguel and Father Miguel Hidalgo of the nearby town of Dolores. For eleven years the revolution was fought. Finally, after a Mexican victory over the Spanish, the town was renamed San Miguel de Allende, honoring Don Ignacio Allende, its greatest son and martyr to freedom.
Travel writers have often called San Miguel "the prettiest town in Mexico". That remark has become a cliche. Yet, like all cliches, it has basis in fact. San Miguel is the most charming of all Mexican towns. Today, its chief fame is as an art center and home to hundreds of foreign residents, not artistic themselves, but attracted by the atmosphere the arts create. Most of these residents are fiercely partisan about their community, quickly pointing out that although many tourists visit, its real life goes on quietly but busily behind the unrevealing walls of its homes and gardens. A stranger who harps on the defects of living here is likely to be met with a cold stare and a classic retort. "Of course, San Miguel is not perfect -- it is merely heaven."
| Another interesting perspective from Mexonline
Located 60 kilometers north of Queretaro, the colonial gem of San Miguel de Allende, population 80,000, is situated on a hillside facing the Laja River and the distant Guanajuato Mountains. Declared a national monument in 1926, San Miguel is a picturesque city of arched colonial mansions, flower-filled patios, and winding, terraced cobblestone streets. It is particularly beautiful in March, when flowering jacaranda trees are in bloom. Roof top views and gardens of this colonial city It is Mexico's most celebrated artists' community, and has been luring artistically-inclined Mexicans and foreigners (about 3,500 Americans and Canadians) for decades.
Instituto Allende, founded in 1951, is an intellectual center and arts academy of renown. There are also many other institutes focusing on arts, literature, and language. Despite this Anglo invasion, San Miguel is very Mexican village. The city boasts a thriving cultural and entertainment scene. Many events (plays, lectures, art classes) are in English.
The renowned San Miguel Music Festival (featuring Mexican and international artists) happens each December. A city with six patron saints and dozens of churches, San Miguel hosts a full calendar of religious festivals throughout the year. The town's biggest bash is San Miguel Arcángel, a celebration honoring the town's chief patron saint. The event includes a running of bulls through city streets, traditional dancers, and lots of merriment. It is held each September 29th.
El Jardin, the city's main plaza (zocalo) is a great starting spot. You can't miss the city's landmark, La Parroquia, the pink, gothic church on the main plaza. La Parroquia on the main plaza is as recognizable an icon for San Miguel as the Eiffel Tower is for Paris. It is one of a few features that distinguish San Miguel from the state's other colonial city attraction, Guanajuato.
For shopping, the city boasts some of Mexico's best craft shops and fine art boutiques. Variety of merchandise is exceptional, as is the workmanship. Its dining scene is top notch. Nouvelle Mexican cuisine, plus a diverse assortment of international dining options have given San Miguel a reputation for having the best "small town" dining in Mexico.
Most of San Miguel's sightseeing highlights are clustered around the compact downtown area. This is a wonderful city for aimless wandering along its narrow cobbled lanes. One of the best city views is from the town's Mirador, located on a hill to the southeast of the city center. At the foot of the hill is El Chorro, which spouts a natural spring where the city's women come to do laundry. Further along is Parque Juárez, a shady green belt with ponds, fountains, and benches. If you are looking for an authentic Mexican town with international flair, centuries old history, and a relaxing almost peaceful feeling, San Miguel de Allende is the vacation (or retirement spot) for you. | There are a thousand and one descriptions of San Miguel de Allende written over the past decades. Here's one writer's short take:
San Miguel's reputation as an arts center was established by the founding of the Allende Institute. One of its American founders, Stirling Dickson, came to Mexico as a tourist in the 1930s and fell in love with the city. A painter and engraver, he helped inaugurate the institute in 1950 and was its director until 1987. The lovely building housing the school once was owned by the wealthy Canal familiy. Fountains, arcades and courtyards gardens grace the grounds of the campus, which has extensive classroom space, two are galleries, a theter and a library.
Students from throughout the Americas take advantage of the art and language classes offered, and the institute also functions as a campus abroad for several American and Canadian art schools. The Centro Cultural Bellas Artes, is also known as the Centro Cultural el Nigromante (its official name) and the Centro Cultural Ignacio Ramirez. It is a branch of the wellknown Instituto de Bellas Artes in Mexico City. The impressive building, which dates from the mid-18th century, was once the Convento de la Concepcion and features an immense, tree-shaded courtyard. It offers music, dance and visual arts classes; a bulletin board lists lectures and concerts given both here and elsewhere in the city. Several murals are also exhibited, including one by David Alfaro Siqueirs.
San Miquel is known for the variety and quality of its regionally produced handycrafts. Metalwork -- masks, trays, lanterns, picture frames and decorative objects made of tin, copper, brass, bronze and wrought iron -- and the design of local silversmiths are particularly worth seeking out. Also available are pottery, weaving, sculpture, straw items, hand-loomed cambaya cloth (a material frequently used to make skirts), and folk and traditional art.
The colonial furniture is some of the finest produced in Mexico. Open-air Mercado Ignacio Ramirez, the city market, fills the plaza in front of the Oratorio de San Felipe Neri, and spreads onto the surrounding streets. Livestock and fresh preduce share space with inexpensive everyday items and souvenirs at the cheaper end of the price scale. The Mercado de Artesanias consists of vendor stalls in an alley. Pricier boutiques are scatted throughout the downtown area. Art galleries are concentrated around the main plaza, and exhibit openings are big social events. Two that showcase both regional and national talents are Galeria San Miguel and Galeria Atena. | |