Gardener/Jardinero San Miguel de Allende Mexico Announcements & News


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Gardener/Jardinero Announcements & News San Miguel de Allende Mexico

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San Miguel de Allende -- Today is Sunday, August 01, 2010 02:17 at our loyal server in the USA
The following excerpt is by the legendary Stirling Dickinson, who is probably the most important Gringo to ever make an impact on the development of San Miguel de Allende. From Brandeburgh Press, November 1969.

In 1542, the missionary Fray Juan de San Miguel established a tiny settlement known as San Miguel Viejo. It was a frontier outpost constantly threatened by hostile Indians. Spanish soldiers and families of Spanish settlers came and the new hamlet was moved to the slope of Moctezuma Hill where fresh springs provided water. Soon, a royal charter was created for the town known as San Miguel El Grande. For more than two and one half centuries, San Miguel thrived under the repressive but orderly rule of Spain, as it was a link on the silver route to Mexico City. In 1810 revolution flared, led by Captain Ignacio Allende of San Miguel and Father Miguel Hidalgo of the nearby town of Dolores. For eleven years the revolution was fought. Finally, after a Mexican victory over the Spanish, the town was renamed San Miguel de Allende, honoring Don Ignacio Allende, its greatest son and martyr to freedom.

Travel writers have often called San Miguel "the prettiest town in Mexico". That remark has become a cliche. Yet, like all cliches, it has basis in fact. San Miguel is the most charming of all Mexican towns. Today, its chief fame is as an art center and home to hundreds of foreign residents, not artistic themselves, but attracted by the atmosphere the arts create. Most of these residents are fiercely partisan about their community, quickly pointing out that although many tourists visit, its real life goes on quietly but busily behind the unrevealing walls of its homes and gardens. A stranger who harps on the defects of living here is likely to be met with a cold stare and a classic retort. "Of course, San Miguel is not perfect -- it is merely heaven."

Another perspective on the state of Guanajuato from Guide2Mexico.

Guanajuato, set up in the mountains, is a twisted mess of narrow little alleys, streets and tunnels that seem designed to confuse and disorient you. But in reality it is just a product of the mountainous topography that sandwiches it along the old river bed. That is part of its charm though. At every turn you find yourself distracted by its picturesque beauty, and a constant temptation to snap a photograph. Founded in the mid 1500s, it was built along the meandering path of the Río Guanajuato. The town was plagued by floods that claimed many lives, but eventually the river was diverted. The old riverbed is now a twisting underground street that is sure to leave you without a clue about where you are on your first time through it.

If you have ever seen any drawings or paintings of Guanajuato, chances are good you have seen bits and pieces of this subterranean part of the city. During the colonial era the city was fabulously wealthy from mining. World famous mines such as La Valenciana, Mineral de Cata and Mineral de Rayas earned their wealthy owners titles of nobility. From the 16th through the 18th centuries, Guanajuato was one of Mexico's most important colonial cities, along with Queretaro, Zacatecas, San Miguel and San Luis Potosi. These cities accounted for 1/3 of the world's silver production, and with the immense wealth came elaborate architecture including many churches and mansions. In 1989 the city was declared a "World Heritage Zone".

The city remains the state's capitol, although not its largest city. Today, Guanajuato is alive with music that can regularly be heard eminating from its plazas. In the evening, groups of young people called estudiantinas stroll through town playng stringed instruments. During the Cervantinos, music seems to be coming from every corner of city. As home to a major university the city enjoys a large student population, so there is no shortage of nightlife. The bulletin boards at the university are a good place to look for news about art exibits, concerts, plays and lectures.

With a climate at an altitude of 6000 feet, Guanajuato enjoys pleasant temperatures year round. Winter evenings are cool, so a light jacket and a sweater are a good idea, but the day should bring temperatures in the 60s to 70s. The rainy season in from June to September, but that generally consist of afternoon showers and occasionally one in the evening. Otherwise expect daytime summer temperatures in the 70s.

Anytime of year is fine for visiting Guanajuato. Because of its year round popularity it is a good idea to call ahead for accommodations, but if you arrive early you can usually find somewhere to sleep. The one time of year that gets absolutely crazy is in October when the city celebrates the Festival Internacional Cervantino. During the festival, artists from all over the world come to perform their music, drama and dance. The festival is wonderful, but unless you are going to see the performances it is the most inconvenient time to visit the city. In recent years hordes of young people have turned it into a drunken street party. If that's your thing, then great. Otherwise hotels are jammed; you can't get a table at a restaurant or bar and it is even difficult to walk in some areas.

Las Posadas

Zacatlán de las Manzanas, Mexico

Late that first afternoon I joined the Posadas at Hospital San José where children, warmly dressed in well-worn jackets and jeans, had gathered in the chapel. They looked as if they could be the children of the shepherds that were present at the first Christmas.

The tourist office, under the archways in the main plaza, was open when I arrived in the small colonial town of Zacatlán de las Manzanas, two hours east of Mexico City. The plaza, anchored by the 16th century ex Convento de San Franciso, was aglow in silvery fog that foreshadowed the magical time I was to spend. I had been told that Zacatlán celebrated traditional Mexican Christmas Posadas, the symbolic journey of the Holy Family from Nazareth to Bethlehem seeking shelter, and I wanted to join in this nine-day festival.

The plaza, anchored by the 16th century ex Convento de San Franciso, was aglow in silvery fog that foreshadowed the magical time I was to spend.

The Posada (literally inn) tradition began in Mexico in 1587 when an Augustine order requested permission of Pope Sixto V to authorize a Novena, a nine-day Christmas celebration. The Augustinians, who used theater, drama and song in the process of conversion, not only wished to tell the story leading to Christ's birth, but wanted to supercede the Aztecs' twenty-day annual December festival dedicated to Huitzilopochtli, their war god.

Bethlehem Stars

Today Posadas are often reduced to a single evening but historically it is a Novena celebrated daily from December 16th to the 24th, which of course is then followed by Christmas on the 25th. I came to Zacatlán to experience the Posadas as a Novena, the religious ritual in a provincial setting.

Mary Carmen Olvera Trejo, Director of Tourism, was seated behind her desk, wearing a soft, bluish-white, downy sweater, working at her laptop computer, when I entered. She instantly looked up, greeted me, invited me to sit down, and asked, "How can we help you?" I said, "Where should I go for Posadas?" She penciled an outline with directions where I could visit Posadas during the week, in the schools, the churches and also suggested Hospital San José. And in a gesture of good will, knowing that I was alone, she invited me to the Olvera Family Reunion-Posada on Christmas Eve. Zacatlán is a compact colonial town with a huge clock in the central plaza. Red tiled adobe buildings, windows framed with iron grills, and cobblestone streets give the visitor a feeling of history and tradition. I could walk to the Posadas that Mary Carmen suggested.

Hospital San José

Late that first afternoon I joined the Posadas at Hospital San José where children, warmly dressed in well-worn jackets and jeans, had gathered in the chapel. They looked as if they could be the children of the shepherds that were present at the first Christmas.

Passing out treats. San Jose Hospital

In the hospital chapel, I sat in the front pew next to a little girl whose rosy cheeks glowed through her dark skin. She sat quietly while her mottled brown-blue eyes carefully examined my camera.

The church was a cream colored white with purple drapes. The director, a petit nurse-nun dressed in white and wearing wire glasses, introduced me as a guest. She used the opportunity to remind the children to be on their best behavior so as to leave the visitor with a good opinion.

The service began. Children sang the rosary. The chapel was in the center of the hospital with a corridor encircling the chapel. We stood. Four children in the back of the church lifted a plank with an angel, Mary and Joseph on their shoulders. It was decorated with a green pine tree branch and Christmas ornaments. The procession came up the center aisle, turned right and then began a journey around the outer corridor of the inner chapel. The choir and students followed Joseph and Mary and made periodic stops, as did the Biblical Holy Family when looking for a place to rest in Bethlehem. The children continued singing the rosary: Hail Mary's and the Our Father.

At each stop, the Holy Family asked for shelter and was denied. Finally, after a full circuit, in the hospital, the Holy Family found rest, and the nun dressed in white passed out gifts: oranges, sugar cane, jicama, peanuts and other treats.

At each stop, the Holy Family asked for shelter and was denied. Finally, after a full circuit, in the hospital, the Holy Family found rest, and the nun dressed in white passed out gifts: oranges, sugar cane, jicama, peanuts and other treats. Young children marveled at their good fortune. I was surprised to see such pleasure from what I would have deemed modest.

Church of St. Francis

The next day at the Church of St. Francis, the largest in town, I encountered a different expression of the Posada. After we entered the church, the doors were closed. The rosary was not sung but a number of journeys were made around the inside of the church, with young men carrying statues of the Holy Family. We stopped at the various niches as if seeking an inn.

Mary in blue

When the procession rested, a verse of the traditional Posada Song was sung. The Posada Song consists of two alternating choruses. First, the Holy Family requests shelter, then there is a response, "This is no inn. Continue on your way. I will not open. You could be thieves." Back and forth, there is a request and a denial. Then it is revealed, the chorus sings, "The queen of heaven is asking for shelter. It is Joseph and Mary, his beloved spouse, who stand at your doors and seek lodging in your house." The climax follows, "Let the doors be thrown open, let the drapes be drawn, for the Queen of Heaven has come to rest."

School: Juana de Arca, Atexna

But it was on the road to El Refugio, a holistic cabin and campground enclave, where I found the most memorable procession. Here was simplicity, faith and tradition among grammar school children reenacting the Holy Family's journey and their quest for shelter.

Here was simplicity, faith and tradition among grammar school children reenacting the Holy Family's journey and their quest for shelter.

As I turned off the highway onto the rutted dirt road at Atexna, children had just left a solitary church and had just started their trek up the road to their primary school. I quickly parked and asked the teacher, Guillermina Juarez Martinez, if I might join the pilgrims. She was happy to welcome me.

Joseph dressed in green and gold, Mary wore blue, and Jesus' godmother looked angelic in white. Angels, shepherds, wise men, parents and teachers followed the Holy Family. Solemnly they hiked up the hill reenacting the journey from Nazareth to Bethlehem. I ran ahead and took pictures of the pilgrimage treading on the damp earth road framed with maguey cactus.

The procession arrived at the school. A number of students entered, but the Holy Family, angels and shepherds, stayed outside. I was inside with my camera. The Posada Song was sung with the alternating choruses. The door was opened, the Holy Family entered, and students gathered in front of the manger. Joseph in green and gold stood on the right, and Mary with her light blue cape stood on the left, while the godmother, seated in the center, rocked Baby Jesus.

Mixing of traditions, Santa and angel

Guillermina Juarez Martinez kneeled and kissed the Baby Jesus. Everyone, pupils and teachers followed her example. Then small gifts were distributed and hot punch was served.

I enjoyed the pageantry, the processions, the rituals, and the songs. But what I had not realized was that I was yet to experience the love and the essence of the Christmas message.

Olvera Family Reunion-Posada

Mary Carmen had invited me to the Olvera Family Reunion-Posada. The party was at 7 p. m. Christmas Eve. I said, "Seven or after seven?" I didn't want to be the first to arrive, especially at a family gathering of over 80 relatives. Mary Carmen said, "A partir de las siete." (Any time after 7.)

I meant to arrive about 7:30 but I got lost. In the dark I couldn't find the turnoff to the family homestead, and I knew I was within yards. But in the dark, along the road, the Grand Marquis' headlights made every shrub bristle as if it were the sign of an entryway. Luckily, there was a nearby restaurant getting ready for a Christmas Eve Party and the owner was cordial and told me precisely where to turn.

I arrived at 8 just in time to join the outdoor chorus singing the Posada Song asking for shelter. When the doors opened I entered into a grand multi-generational family reunion and celebration.

Here I found more than the Christmas Posada, the Holy Family pilgrim tradition and a religious service.

Señor Olvera, Mary Carmen's father, 83, and family patriarch, dressed in a suit and tie and wearing a short overcoat and a brown beret, spoke to his family. He embraced his wife Julita, dressed in a red coat, and gave thanksgivings for their blessings, and family prayers for those present and absent. Testimonials were spoken for the family's happiness. One by one adult children hugged their parents. There was a gift exchange, a grand feast (with 8 daughters, food was abundant), toasts (even Viva California!), and dancing to salsa, marimba, rock 'n roll, waltz, fox trot and swing.

We danced together, in a group, in a line, in a circle, in the center of the circle (nudged forward for an impromptu jig, or whirl). There was a call for "Los Calvos", the bald guys, only two of us, the other being Eduardo, a son-in-law from Aguacaliente, where cock fighting is the annual attraction at the San Marcos Fair, so Eduardo and I pantomimed our interpretation of a two strutting cocks to cheers and applause.

Then singing, Mary Carmen led, followed by nearly every guest, some reluctant, needing encouragement, some with good voices like Mary Carmen, some frogs like myself who sang El Rey, but I had to pull Mary Carmen up with me as I was uncertain of all the lyrics, so we ended up a duet.

Husbands brought tears, pure streams of joy to their wives, as they sang love ballads, with words like, "My life would be nothing without you, you are my total love, my source, my reason for being," while directing a fixed gaze, eye to eye with the wife.

There were other songs and recitations, humorous, or just favorites, more toasts, more dancing, a total spectacle of a loving, endearing, supporting, joyful family, whose patriarch's favorite response to, "Como está?" (How are you?) is, "Yo soy agradecido de haber nacido." (I'm grateful for having been born.)

La Piñata and a Funeral

I drove home alert, not tired at 3 a.m. Mary Carmen told me to join the family at noon for the children's Christmas Piñata Fiesta. Afterwards, she said, we would join her nephew, his wife and daughter at La Trucha (The Trout) Restaurant for Christmas dinner.

When I arrived, plans had changed. We would be going to a funeral at 2 p.m. An elderly aunt died Christmas Eve and in Mexico burial is the next day. It seemed ironic. During Day of the Dead in San Miguel de Allende, I witnessed a wedding, and here in Zacatlán, on Christmas Day, I would be present at a funeral.

At noon, the children took turns, blindfolded (a symbol that the only guide is faith), and smacked the piñata. It was a clay pot covered with a 7-pointed star decorated in brilliant red, blue, orange, green, gold, silver, purple and white with paper streamers, which symbolized the Seven Deadly Sins. When it broke, treats gushed out. Children gathered up the traditional gifts: sweet potatoes, jicama, sugar cane, peanuts, oranges, a few small toys, balls and Spiderman figures, caramels and hard candy.

After the piñata, the festivities quieted. We still had a funeral and Christmas dinner to attend.

The sun was out. I was now part of Mary Carmen's family and we walked up the hill to the original homestead, which was being used for storage. I no longer thought of the fog. Here on a hill outside Zacatlán the weather was warm and the sky crystal blue. Children were taking turns on a swing. The homestead was built L shaped and I photographed the flowers. I took nine photos, all different.

We traveled back to Zacatlán for the 2 p.m. funeral. I dropped Mary Carmen and her nephew, wife and child in front of the church, and then continued, looking for a parking place.

The funeral was short. But the church overflowed. In a small town, everyone is related. The casket, carried by 6 men, was placed in a funeral limousine and an entourage followed the slow-moving hearse to the cemetery. It was only a few blocks distant. The aunt was laid to rest on Christmas Day.

Christmas Dinner

We backtracked past the Olvera homestead, drove to Jicolapa, a small village outside Zacatlán, and then into the quiet green pine forest and onto a dirt road that lead to mountain streams, a trout farm and a restaurant. We had been delayed. We were the last guests to arrive at La Trucha.

I felt as if I had returned home to northern Colorado and had just driven up the Poudre Valley River Canyon.

We selected our trout direct from the pond. Shortly, dinner, wrapped and baked in tinfoil with herbs, was served. We toasted, clinking bottles of cold beer. We were in a simple wood-framed building in the pine forest next to a stream with turkeys wandering about.

Our dining room was more like a giant tree house than a restaurant. It was modest, rustic, and appropriate for Christmas. Christ had been born in a manger.

-- Dick Davis

Dick Davis travels frequently and contributes articles to www.ourmexico.com. This story is from their RSS feed of publically accessible articles. Dick has taught in both Mexico and Spain and is happy to share his experiences. A resolute companion in his Mexican travels is his Grand Marquis. He can be contacted at: dickdavis40@hotmail.com

There are a thousand and one descriptions of San Miguel de Allende written over the past decades. Here's one writer's short take:


San Miguel's reputation as an arts center was established by the founding of the Allende Institute. One of its American founders, Stirling Dickson, came to Mexico as a tourist in the 1930s and fell in love with the city. A painter and engraver, he helped inaugurate the institute in 1950 and was its director until 1987. The lovely building housing the school once was owned by the wealthy Canal familiy. Fountains, arcades and courtyards gardens grace the grounds of the campus, which has extensive classroom space, two are galleries, a theter and a library.

Students from throughout the Americas take advantage of the art and language classes offered, and the institute also functions as a campus abroad for several American and Canadian art schools. The Centro Cultural Bellas Artes, is also known as the Centro Cultural el Nigromante (its official name) and the Centro Cultural Ignacio Ramirez. It is a branch of the wellknown Instituto de Bellas Artes in Mexico City. The impressive building, which dates from the mid-18th century, was once the Convento de la Concepcion and features an immense, tree-shaded courtyard. It offers music, dance and visual arts classes; a bulletin board lists lectures and concerts given both here and elsewhere in the city. Several murals are also exhibited, including one by David Alfaro Siqueirs.

San Miquel is known for the variety and quality of its regionally produced handycrafts. Metalwork -- masks, trays, lanterns, picture frames and decorative objects made of tin, copper, brass, bronze and wrought iron -- and the design of local silversmiths are particularly worth seeking out. Also available are pottery, weaving, sculpture, straw items, hand-loomed cambaya cloth (a material frequently used to make skirts), and folk and traditional art.

The colonial furniture is some of the finest produced in Mexico. Open-air Mercado Ignacio Ramirez, the city market, fills the plaza in front of the Oratorio de San Felipe Neri, and spreads onto the surrounding streets. Livestock and fresh preduce share space with inexpensive everyday items and souvenirs at the cheaper end of the price scale. The Mercado de Artesanias consists of vendor stalls in an alley. Pricier boutiques are scatted throughout the downtown area. Art galleries are concentrated around the main plaza, and exhibit openings are big social events. Two that showcase both regional and national talents are Galeria San Miguel and Galeria Atena.

Major Regulatory Agencies for the State of Guanajuato with names of Officials where indicated

Descripción
Presidencia Municipal de San Miguel de Allende
José Jesús Correa Ramírez

Contraloria Municipal

José Antonio López Ortíz

Desarrollo Integral de la Familia ( DIF ) Municipal

Gabriela Bribiesca Rocha

Dirección de Desarrollo Social y Humano

José Luis Téllez Santana

Subdirección de Desarrollo Rural y Agropecuario

Juan Rodríguez Vázquez

Subdirección de Desarrollo Social y Humano

Mario Carballo Carlva

Dirección de Desarrollo Urbano y Ordenamiento Territorial

Angel Gastelum Cadena

Coordinación de Administración Urbana y Regulación de Usos de Suelo

Francisco Javier Villegas Sánchez

Ventanilla de Licencias y Permisos de Construcción

Alberto Cervantes Matehuala

Coordinación de Conservación del Patrimonio Histórico y Cultural

desconocido o ya no ocupado

Auxiliar Centro Histórico

Julio César Grimaldi Zuñiga

Coordinación de Planeación Estratégica y Ordenamiento Territorial

Jesús Téllez Molina

Coordinación Técnica

Zeferino Gutiérrez Grimaldi

Estudios y Proyectos de Equipamiento Imagen e Infraestructura

Jesús Tellez Molina

Coordinación de Regulación de Asentamientos Humanos Irregulares, Ejidales Predios Agricolas y Ganade

Javier Rángel Arellano

Auxiliar de Asentamientos Humanos

Juan Manuel Ramírez Regoytia

Subdirección de Desarrollo Urbano

Francisco Javier Villegas Sánchez

Dirección de Educación y Cultura

Verónica Agundis Estrada

Casa de la Cultura

Myrna Verónica Salinas Guerrero

Departamento de Educación

Jesús Ledesma Hernández

Dirección de Medio Ambiente y Ecología

Donald Wayne Patterson

Coordinación de Gestión Ambiental

Erick Morales Montes

Administrator de Panteones

desconocido o ya no ocupado

Encargado de Parques y Panteones

desconocido o ya no ocupado

Coordinación de la Prevención y Control de la Contaminación

Ana Karina Yael Villa Ayala

Coordinación de Normativa Ambiental

Blas Huerta Carrillo

Encargado de Promoción Ambiental

desconocido o ya no ocupado

Encargado de la Estación de Transferencia

desconocido o ya no ocupado

Dirección de Obras Públicas Municipales

Jorge Zavala Ramírez

Coordinación de Maquinaria Pesada

Jorge Montes González

Coordinador Administrativo A

José Martín Rico

Subdirección de Obras Públicas Municipales

Francisco Peralta Elizondo

Coodinación de Construcción y Supervición

desconocido o ya no ocupado

Jefe de Brigada Topografíca

desconocido o ya no ocupado

Jefe de Precios Unitarios

desconocido o ya no ocupado

Coordinación Administrativa

desconocido o ya no ocupado

Jefe de Expedientes Técnicos

desconocido o ya no ocupado

Jefe de Solventación de Observaciones

desconocido o ya no ocupado

Coordinación de Maquinaría Pesada

desconocido o ya no ocupado

Subdirección Operativa

Jorge Flores

Dirección de Seguridad Pública Municipal

Daniel Adrián Trujillo García

Subdirección Academica

Hugo Fabián Barrón Martínez

Subdirección Administrativa

Juan Carlos Godínez Arzola

Subdirección Operativa

José Luís Olguín Gómez

Dirección de Servicios Públicos Municipales

Luis Francisco López Chávez

Administración del Restro Municipal

Eduardo Manuel Villegas Juárez

Alumbrado Público

Luís Felipe Luna Morales

Departamento de Limpia

José Gilberto M. González Valero

Mercados y Comercio

Ángel Martín Saavedra

Subdirección de Servicios Públicos Municipales

desconocido o ya no ocupado

Administración del Rastro Municipal

desconocido o ya no ocupado

Alumbrado Público

Emisael Espinosa

Jefatura de Limpia

desconocido o ya no ocupado

Mercados y Comercio

desconocido o ya no ocupado

Dirección de Transito y Transporte Municipal

José Samuel Daniel Mercadillo Escobedo

Comandante Administrativo

Roberto Prado Baeza

Comandante Operativo

José Luís García Osornio

Jefe de Transporte Municipal

Jorge Salas Luna

Juridico de Transito y Transporte

Juan Víctor Manuel González Bautista

Dirección de Turismo, Fomento Económico y Relaciones Internacionales

Francisco Peyret García

Atención a Inversionistas y Mejora Regulatoria

Oscar Baltazar Arteaga Gil

Coordinación de Promoción de Inversiones y Gobierno Integral

Julián Roberto Villela Ríos

Coordinación de Relaciones Internacionales

Fabiola García Lasierna

Enlace de Empleo y Capacitación

Ma. Auxilio Ángeles Olalde

Enlace Institucional y Promoción Productiva

Tanía Noriz Martínez

Instituto Municipal de la Mujer

Araceli Martínez Sánchez

Oficialia Mayor Administrativa

José Alfredo Orduña Rodríguez

Departamento de Informática

Leopoldo Barcenas Hernández

Pensión Municipal

Jorge Armando Ramírez Capitán

Recursos Humanos

Cirila Margaíz Ramírez

Recursos Materiales

Laura Valadez Sánchez

Protección Civil

José Alan Álvarez Flores

Coordinación Municipal de Desastres

Ramiro Arroyo Guerrero

Secretaría del H. Ayuntamiento

Christopher Thomas Finkelstein Franyuti

Departamento de Fiscalización y Control Municipal

Rafael Torres Sánchez

Departamento de Jurídico

José Ramón Correa González

Secretaría Particular

Tomas Federico Ramírez

Sistema de Agua Potable y Alcantarillado de San Miguel de Allende

Alfonso Sautto

Tesorería Municipal

José Eduardo Adrián Soria Cruz

Departamento de Catastro

Gustavo Arellano Arroyo

Departamento de Egresos

Mónica Barajas

Departamento de Ingresos

Jorge López Páez

Departamento de Predial

Saúl Bautista Espinosa

Programas Especiales

José Luis Pérez Arredondo